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Ingrid Paulussen

Ingrid Paulussen

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Julie
Iva
Tess
Angèle
Night Mood
Enora With Medaillon
Fedora
Irene
Luna
Camille Claudel (Yellow)
Isabelle
Gabrielle
Grace in The Summer
Jacqueline in the Fall of 2020

Born in 1963, Genk, BE

The portraits of Ingrid balance between figuration and abstraction. The technique that helps her with this is on the sketched and subsequently painted portrait, processing various types of paper. Working this way means letting go for her; unexpected things happen. It is like working with clay. Ingrid's work is therefore described as a work of art between a painting and a sculpture.

The balance between the faded portrait and the colorful three-dimensional, often glossy, finish unmistakably creates the same effect that a beautiful woman in reality also evokes; attraction! The viewer's gaze is held by the portrait. Literally an eyecatcher. Ingrid often chooses the woman as the subject. The woman stands for beautiful, attractive and seductive. Ingrid examines femininity and displays it; the shape of the face, the eyes, the position, the look. What exactly determines the femininity of the woman? Ingrid discovered, according to her own words, only late, after her twentieth, her own femininity.

2022
Absolute Art Gallery, Brugge, BE
Galerie Ariel Jakob, Paris, FR

2021
BILY, Absolute Art Gallery, Brussels, BE
Galerie Ariel Jakob, Paris, FR

2020
BILY, Absolute Art Gallery, Brussels, BE
Galerie Giardino, Berg en Terblijt, NL
The Art Cube Gallery, Düsseldorf, DE
Château St-Gerlach, Valkenburg,NL

2017
Château Petersheim, Lanaken, BE

2015
Bonifantenmuseum, Maastricht, NL

2014
Galerie Framed, Maastricht, NL

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